Archie Stout
Camera
🎂 1886-03-30
From Wikipedia, the free encyclopedia Archie Stout (March 30, 1886 – March 10, 1973), A.S.C. was an American cinematographer whose career spanned from 1914 to 1954. He enjoyed a long and fruitful association with John Ford, working as second unit cinematographer on Fort Apache (1948), She Wore a Yellow Ribbon (1949) and The Quiet Man (1952), becoming the only 2nd unit cinematographer to receive an Academy Award. In a wide-ranging career, he also worked on such films as the original version of The Ten Commandments (1923) and several Hopalong Cassidy and Tarzan films. His last film was the airborne disaster movie The High and the Mighty in 1954. In 1914, Mack Sennett was filming a comedy with Louise Fazenda, and it required a scene with a pelican "nibbling at [Louise's] posterior". However, the state law in California required that a representative of the fish and game committee be present at all times when handling the pelican. Archie was game warden of the fish and game commission of California at the time, and was assigned to oversee the handling of a pelican. However, several days after the scene with the pelican, Stout continued to observe and speak to Mack Sennett and his lead cameraman, Fred Jackman, throughout the rest of the shoot. Jackman, taking a liking to Stout, and in need of background shots, asked if Stout would be interested in getting the shots for him. Stout eagerly agreed, and after a brief lesson on how the camera worked, went up into the High Sierras to get the shots. Once the film was developed, Jackman saw the potential in Stout's abilities and hired him immediately. By the 1930s, Stout was "earning a reputation for outstanding outdoor photography" and was moving between director of photography positions and second unit jobs. He would go on to develop a strong professional relationship with actor John Wayne, shooting at least 25 of his films, most of which were westerns. Stout eventually became a part of director John Ford's camera crew, handling second unit photography on Fort Apache (1948), She Wore a Yellow Ribbon (1949), Rio Grande (1950), Wagon Master (1950) and The Quiet Man (1952). Between his background with nature and his eye for exterior shots, Stout would go on to be "among the top dozen cinematographers associated with Westerns". In an interview, Archie said in the first eight years of his career he "roughly made 300 pictures for Mack Sennett and the Christie boys". By the printing of the article, he would be shooting his 500th film. Although that is a staggering number of movies for a cinematographer, especially one well into his 50s, Archie was not too impressed with the number, saying that "in the old days a one-reeler was shot in two or three days, and as soon as you finished one you started right in with another".
Camera (84)

Director of Photography
1944

Director of Photography
1953

Second Unit Director of Photography
1952

Director of Photography
1948

Director of Photography
1947

Second Unit Director of Photography
1950

Director of Photography
1944

Second Unit Director of Photography
1949

Director of Photography
1945

Director of Photography
1946

Director of Photography
1954

Director of Photography
1945

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1935

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1935

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1933

Director of Photography
1934

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1939

Director of Photography
1945

Director of Photography
1934

Director of Photography
1934

Director of Photography
1934

Additional Photography
1937

Director of Photography
1938

Second Unit Director of Photography
1950

Director of Photography
1953

Director of Photography
1953

Director of Photography
1935

Director of Photography
1933

Director of Photography
1949

Director of Photography
1935

Director of Photography
1934

Director of Photography
1950

Director of Photography
1934

Director of Photography
1944

Director of Photography
1953

Director of Photography
1935

Director of Photography
1940

Director of Photography
1935

Director of Photography
1934

Director of Photography
1934

Director of Photography
1935

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1932

Director of Photography
1937

Director of Photography
1921

Director of Photography
1932

Director of Photography
1930

Director of Photography
1951

Director of Photography
1932

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1931

Director of Photography
1934

Director of Photography
1935

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1932

Director of Photography
1947
Director of Photography
1931

Director of Photography
1935

Director of Photography
1931

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1936

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1933

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1937

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1936

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1936

Director of Photography
1936

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1931

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1950

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1930

Director of Photography
1930

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1936

Director of Photography
1935

Director of Photography
1933

Director of Photography
1939

Director of Photography
1932

Camera Operator
1929

Director of Photography
1930

Director of Photography
1933

Director of Photography
1930

Director of Photography
1930

Director of Photography
1936

Director of Photography
1930

Director of Photography
1930

Director of Photography
1933

Director of Photography
1931

Director of Photography
1929

Director of Photography
1932

Director of Photography
1933