Full Moon

1979 • Directed by

Isao Kota

I cut out a rectangular portion of a photograph to create a peephole, equivalent to a camera viewfinder. The cut-out photograph is a sequence of photographs that show a hand pointing at the peephole. I repeatedly overlaid the sequence of peephole photographs onto a photograph of a corner of a room, creating an image in which the window looking into a part moves within the whole.